#WHY REGISTER CONTENTA CONVERTER MOVIE#
I never look at the movie again - I never read anything about it again.įrom left: Allen, cinematographer Vittorio Storaro and Eisenberg on the set of ‘ Cafe Society.’ “I always wanted to do a movie that had some of the nightlife in it,” says Allen. When that’s over, and you’ve made your best movie, move on. It’s fun to get up in the morning and have your script in front of you and to meet with your scenic designer and your cinematographer, to get out on the set and work with these charming men and beautiful women and put in this Cole Porter music and great costumes. The enjoyment has got to come from doing the project. just pay attention to the work and don’t read about how great I am or what a fool I am. When I first started, that was not the case. I scrupulously have avoided any self-preoccupation. I never, ever read any criticism of my films. I never, ever, ever read anything about myself.
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My driver has them when I’m sitting in the car.ĭo you read about yourself in the tabloids? And then somehow or another I catch up with the tabloids. The Times because it’s habitual since I was younger. I’d always rather watch a baseball game or a basketball game or go to the movies or listen to music. I read over the decades because one has to read to survive in life. They would give you the Hollywood news, and it sounded very exciting. So much of what you knew from California, you knew from the columns that you got in New York - Hedda Hopper and Sheilah Graham. Well, you read the gossip columns, the Hollywood columns, were in New York as well.
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What kind of things did you read for research to make the movie?